I started Authorship Studios because I believe the best stories aren't invented — they already exist inside the organizations and people doing meaningful work. They just haven't been told with the care they deserve.

I'm drawn to the tangible world. Builders, makers, craftspeople, kitchens, workshops, job sites — places where the work is real and the people behind it have something worth saying. My job is to find the story that's already there and direct it with intention, patience, and respect for the subject.

I've been making films for over a decade, and the through line has always been the same: I want to communicate through image and sound the way a great director does. Every frame, every cut, every moment of silence is a choice. That's the standard I hold my work to, whether it's a documentary short, brand film or series.

I keep coming back to the physical world because I don't think it's been explored enough through real storytelling. So much of what's made today is about the digital world, for the digital world. But we're tangible creatures. The people building homes, forging steel, growing food, designing spaces — their work matters, and the way we tell their stories should reflect that.

I don't chase trends or volume. Every project is a deliberate choice. I'd rather make one film that lasts than ten that disappear.

The name says it. Authorship means the work has a voice, a point of view, and someone behind it who cares how it turns out. That's what I bring to every project and it's what I look for in every organization I work with.